I Wish It Wouldn't Keep Asking for a Title
One: Old
One of my professors is rather elderly. We like to poke fun at old people don't we? A whole row of people sitting behind me say "Ai! But this guy is old. Does he really know what he's doing? " *Chuckle Chuckle* "Just look at how slowly he is moving!" *Guffaw*
Why is old dishonarable? Laughable? Repulsive? Has it always been this way? Dirty old men? Wicked old women?
My niece used to burst into tears when she saw her great grandmother. That is actually funny. "Why is she soooooooo old?" she would wail. "....and bent ooooooover?" She was petrified of this beast with long gnarled fingers, yellowed teeth and C-shaped back that kept calling her "kajuju". Eek!
Two: Prejudice
Admittedly, I have become rather obsessed with white nationalists and racists. I find them simultaneously entertaining and terrifying.
The only problem is now when I see a white person I wonder whether they are one of THEM. I'm sure they are a small minority but you never know. How do i remove myself from this downward spiral before it is too late?
Or maybe if I continue my study I will soon be able to sniff them out at the drop of a hat, just like I do male chauvinists. (It is a long time since I used this term) (It is quite refreshing, reminiscent of my adult beginnings)
Three: Wangari (and Khadja Nin)
I am reading Wangari Maathai's autobiography at the moment. It is great and inspiring. I love Wangari Maathai even though I have never met her. She reminds me (eerily too much) of my mother. She is a great woman and I wish she would be Kenya's next president (Wangari, not my mother).
But I experience occasional twitches of irritation when I notice that it is clearly written for a worldwide (maybe just American) audience. This of course is understandable and my irritation irrational. Yet I can't help twitching for example at references to baseballs (when referring to the size of the bump on her head received from anti-riot police).
Similarly I love Khadja Nin. But I have been experiencing occasional unexplained twitches of irritation whenever I hear her voice ever since I read what she wrote about her song 'Mama' - 'This track is dedicated to my mother, to me, and to all the women who struggle alone for their children. There is no bitterness in the lyrics, nor the slightest feminist statement .....etc"
Four: Snakes
We Africans have a marvellous way of putting things in a way that we all understand completely - no need for explanation.
On that note I would like to remind those of us who are invloved in the struggle for equality and women's rights never to put down the stick before the snake is dead.
One of my professors is rather elderly. We like to poke fun at old people don't we? A whole row of people sitting behind me say "Ai! But this guy is old. Does he really know what he's doing? " *Chuckle Chuckle* "Just look at how slowly he is moving!" *Guffaw*
Why is old dishonarable? Laughable? Repulsive? Has it always been this way? Dirty old men? Wicked old women?
My niece used to burst into tears when she saw her great grandmother. That is actually funny. "Why is she soooooooo old?" she would wail. "....and bent ooooooover?" She was petrified of this beast with long gnarled fingers, yellowed teeth and C-shaped back that kept calling her "kajuju". Eek!
Two: Prejudice
Admittedly, I have become rather obsessed with white nationalists and racists. I find them simultaneously entertaining and terrifying.
The only problem is now when I see a white person I wonder whether they are one of THEM. I'm sure they are a small minority but you never know. How do i remove myself from this downward spiral before it is too late?
Or maybe if I continue my study I will soon be able to sniff them out at the drop of a hat, just like I do male chauvinists. (It is a long time since I used this term) (It is quite refreshing, reminiscent of my adult beginnings)
Three: Wangari (and Khadja Nin)
I am reading Wangari Maathai's autobiography at the moment. It is great and inspiring. I love Wangari Maathai even though I have never met her. She reminds me (eerily too much) of my mother. She is a great woman and I wish she would be Kenya's next president (Wangari, not my mother).
But I experience occasional twitches of irritation when I notice that it is clearly written for a worldwide (maybe just American) audience. This of course is understandable and my irritation irrational. Yet I can't help twitching for example at references to baseballs (when referring to the size of the bump on her head received from anti-riot police).
Similarly I love Khadja Nin. But I have been experiencing occasional unexplained twitches of irritation whenever I hear her voice ever since I read what she wrote about her song 'Mama' - 'This track is dedicated to my mother, to me, and to all the women who struggle alone for their children. There is no bitterness in the lyrics, nor the slightest feminist statement .....etc"
Four: Snakes
We Africans have a marvellous way of putting things in a way that we all understand completely - no need for explanation.
On that note I would like to remind those of us who are invloved in the struggle for equality and women's rights never to put down the stick before the snake is dead.
